Feel like something beautiful?
One of these days I'll do an in depth analysis of this song, but for right now I'm content to simply enjoy the warmth of this song.
The Purple Reaction is a music blog that focuses on music in our culture and explores the history, theory and artistry that make the music we love so great. This is a celebration of art, the emotional connections that we feel through music and the deep personal meaning we experience through great music. This blog features new posts every Monday, Wednesday and Friday.
Showing posts with label change. Show all posts
Showing posts with label change. Show all posts
Wednesday, August 10, 2011
Wednesday, September 15, 2010
Reflections Of My Life by Marmalade
A great 1960s gem.
The dude is a little down a life. Either he was continuously dumped by girlfriend after girlfriend or he's reflecting back on a life wasted looking up esoteric songs on youtube.com and posting them on his blog.
The dude is a little down a life. Either he was continuously dumped by girlfriend after girlfriend or he's reflecting back on a life wasted looking up esoteric songs on youtube.com and posting them on his blog.
Labels:
1960s,
Break-up,
change,
growing up,
Male Artists,
Rock Music
Wednesday, January 13, 2010
Party In The U.S.A. by Miley Cyrus
I love “Party In The U.S.A.” and my wife doesn’t.
First off, Diana is not a fan of processed “auto-tuned” vocals and this song features quite a bit of that. I agree that it’s a bit much in this song and we both would much rather hear someone sing straight out, though I’m not sure with Miley Cyrus if it would really sound all that much better.
The main reason why “Party In The U.S.A.” bugs Diana is the chorus. Here's her issue:
“So I put my hands up, they’re playing my song, The butterflies fly away.” Okay, that’s reasonable enough, rejoicing in a favorite tune, it’s all good. Moving on . . .
“I’m nodding my head like ‘Yeah!’
Moving my hips like ‘Yeah!’”
Wait a second, let me get this right. Instead of completing the simile she uses “yeah” to replace a noun or a phrase. Here are examples the correct way to complete this sentence.
“I’m nodding my head like Britney.”
Or
“I’m nodding my head like I’m at a club.”
It’s like she gave up on talking, or speaking English as a whole. “Eh, I got a couple words out and then I just decided it wasn’t worth the effort so I’ll just say ‘yeah.’” Can you imagine if your friends talked like this?
“Go down the street two blocks and make ‘yeah.’”
“You have got to pull it together. This test is ‘yeah.’”
It’s not even an ironic “yeah” like: Oh god that shirt was so ugly and like [sigh] “yeah” not such a good choice.” It’s celebratory for God’s sake. That’s the best you can do lyrically, REALLY, are you serious?
“But Kingsley what about “My Life Would Suck Without You” by Kelly Clarkson, one of your favorite songs ever. That song has “yeahs” all over the chorus. True.
"‘Cause we belong together now, yeah"
"Forever united here somehow, yeah"
But they are at the end of the sentence, the thought is completed and THEN "yeah" is put in as an interjection as opposed to a modifier.
SIGH.
While I 100% agree with my wife’s argument I still love “Party In The U.S.A.”
Songs that are what they sing about fascinate me. “Party In The U.S.A.” is about the power of music is relax us and bring us a moment of bliss in difficult situations and “Party In The U.S.A.” is exactly one of those songs. Yes, it’s not very deep. It’s got that teen pop sheen all over it, but there’s something universal about when Miley describes hearing a song on the radio in a strange new place.
The fact that the same song is being played in Nashville as well as in Los Angeles is amazing if you think about it. It’s like that line in “Somewhere Out There.” “It helps to think we're sleeping underneath the same big sky.”
For Miley, that big sky is her favorite song.
Yeah, I can go into the fact in the original recording of this song Miley mentions listening to Jay-Z and then latter said she has never heard his music and now changes that line when she performs it live. I could also go into the whole Disney music machines and the fact that I seriously thought that Hannah Montana and Miley Cyrus were two different people until one of my students pointed this out to me. (I was just thought it was cool that two teen artist would do a film together). Sue me for being lost within the illusion.
That wig is pretty convincing.
If Miley Cyrus, the Jonas Brothers and the High School Musical (yup, I totally did a post about that film) stuff bug you, fine it’s all good. It’s not meant for you, (unless you are in grade school and I seriously doubt there's any grade schoolers reading this). Kids really enjoy this stuff and I’m all for children enjoying music where the girls aren’t over-sexualized and the image, which I realize is just that, an image, is clean and wholesome. It’s better then the typical rock star “image.”
“Party In The U.S.A.” feels great, yes, it needs some grammar help, and when one of my students uses “yeah” like Miley does I will surely get annoyed, until then, it’s all good to me.
First off, Diana is not a fan of processed “auto-tuned” vocals and this song features quite a bit of that. I agree that it’s a bit much in this song and we both would much rather hear someone sing straight out, though I’m not sure with Miley Cyrus if it would really sound all that much better.
The main reason why “Party In The U.S.A.” bugs Diana is the chorus. Here's her issue:
“So I put my hands up, they’re playing my song, The butterflies fly away.” Okay, that’s reasonable enough, rejoicing in a favorite tune, it’s all good. Moving on . . .
“I’m nodding my head like ‘Yeah!’
Moving my hips like ‘Yeah!’”
Wait a second, let me get this right. Instead of completing the simile she uses “yeah” to replace a noun or a phrase. Here are examples the correct way to complete this sentence.
“I’m nodding my head like Britney.”
Or
“I’m nodding my head like I’m at a club.”
It’s like she gave up on talking, or speaking English as a whole. “Eh, I got a couple words out and then I just decided it wasn’t worth the effort so I’ll just say ‘yeah.’” Can you imagine if your friends talked like this?
“Go down the street two blocks and make ‘yeah.’”
“You have got to pull it together. This test is ‘yeah.’”
It’s not even an ironic “yeah” like: Oh god that shirt was so ugly and like [sigh] “yeah” not such a good choice.” It’s celebratory for God’s sake. That’s the best you can do lyrically, REALLY, are you serious?
“But Kingsley what about “My Life Would Suck Without You” by Kelly Clarkson, one of your favorite songs ever. That song has “yeahs” all over the chorus. True.
"‘Cause we belong together now, yeah"
"Forever united here somehow, yeah"
But they are at the end of the sentence, the thought is completed and THEN "yeah" is put in as an interjection as opposed to a modifier.
SIGH.
While I 100% agree with my wife’s argument I still love “Party In The U.S.A.”
Songs that are what they sing about fascinate me. “Party In The U.S.A.” is about the power of music is relax us and bring us a moment of bliss in difficult situations and “Party In The U.S.A.” is exactly one of those songs. Yes, it’s not very deep. It’s got that teen pop sheen all over it, but there’s something universal about when Miley describes hearing a song on the radio in a strange new place.
The fact that the same song is being played in Nashville as well as in Los Angeles is amazing if you think about it. It’s like that line in “Somewhere Out There.” “It helps to think we're sleeping underneath the same big sky.”
For Miley, that big sky is her favorite song.
Yeah, I can go into the fact in the original recording of this song Miley mentions listening to Jay-Z and then latter said she has never heard his music and now changes that line when she performs it live. I could also go into the whole Disney music machines and the fact that I seriously thought that Hannah Montana and Miley Cyrus were two different people until one of my students pointed this out to me. (I was just thought it was cool that two teen artist would do a film together). Sue me for being lost within the illusion.
That wig is pretty convincing.
If Miley Cyrus, the Jonas Brothers and the High School Musical (yup, I totally did a post about that film) stuff bug you, fine it’s all good. It’s not meant for you, (unless you are in grade school and I seriously doubt there's any grade schoolers reading this). Kids really enjoy this stuff and I’m all for children enjoying music where the girls aren’t over-sexualized and the image, which I realize is just that, an image, is clean and wholesome. It’s better then the typical rock star “image.”
“Party In The U.S.A.” feels great, yes, it needs some grammar help, and when one of my students uses “yeah” like Miley does I will surely get annoyed, until then, it’s all good to me.
Labels:
2000's,
change,
Female Artist,
popular music
Monday, January 26, 2009
A Change Is Gonna Come by Sam Cooke
When we think of music that we love, we often think of specific events that our memories have intertwined with certain songs. The interesting thing is that often when we think of memories songs come to mind as well. Because music has the ability to capture feelings, tying music to memories helps preserve how moments feels which in some ways is more meaningful then what actually happened.
The inauguration of Barack Obama as president of the United States is without a doubt a significant historical event. In some ways, the inauguration of all of our presidents are historical but for many people Obama’s inauguration is different.
There has been a lot said about the significance this event has on Civil Rights in America. It is clear whenever I hear African Americans who are passionate about Obama talk about the inauguration, that this is for them a deeply emotional moment in their lives
I don’t know anyone who marched in the Civil Rights protests in the 1960s. My parents came to America in 1978, after the Civil Rights act had been past. I’m not saying that when my parents came to America there weren’t Civil Rights issues, I agree that they are still present today, but it they my parents were not connected to the Civil Rights movement and did not suffer threw institutionalized segregation.
I do have some understanding of the issues that the African American community deal with as my parents have been discriminated against and stereotype but not to a degree that it has significantly affected their lives. My parents have a different perspective as they voluntarily immigrated to the United States while many African Americans were forced to come to American.
I’ve never faced open discrimination or been called racial slurs and I don’t ever feel that people truly judge me on my race. I understand that having an African-American president is historical and represents our development as a country but I don’t fully feel the power of this event in my heart.
In the same way, I will never understand why “A Change Is Gonna Come” is considered one of the most powerful and significant songs for the African-American community. Some have called it the “Black National Anthem” but all agree that it is one of the greatest songs by Sam Cooke, a pivotal and powerful force in popular music.
I came to know Sam Cooke through his earlier works, which were harmless, fun, soul music. The first song that I remember associating with Sam Cooke was “Wonderful World.” When I bought a collection of Sam Cooke’s songs on CD, most of the songs had this cleaned up shimmer to them. It was clear that Cooke had a beautiful voice that was effortless but still had weight and depth to it. Cooke didn’t so much sing the notes but dance around the melody. However, every once in a while at the end of a long note or towards the end of a song, you could hear a slight edge and a deeper emotion then the song portrayed. That soulfulness, the expression and passion that you could sense in his music came to the forefront with his last recorded song “A Change Is Gonna Come,” and to a teenage Asian boy in Seattle Washington, soul music came alive.
You don’t have to listen very far into “A Change Is Gonna Come” to be struck with the impact of Cooke’s voice. The way that he floats up to “born” in the first line and grows through the note is perfect. It balances just right amount of clarity to hear the pitch and feel his dark tone with a gravel and edge in his voice to understand the desperation and pain in the retelling of his circumstances.
“Just like the river, I’ve been running ever sense” is one of my favorite lines in pop music. It gets to me every time. There is something so sad about comparing oneself to the never-ending motion of a river. Metaphors are somewhat strange in the way that by comparing two things that aren’t related, making unnatural comparisons, we make the meaning more clear. So often in music metaphors are clever, or finish a rhythm but rarely are they as powerful as in the first verse of “A Change is Gonna Come.”
The words “ a change gonna come” appears at the ends of the verses. They are not sung at the peak of phrases but at the last part of the phrase after the energy of the phrase has been settled. It feels that Cooke is more trying to convince himself that change will come than that he actually believes it.
There is no hope in the other lyrics in the song. Cooke doesn’t even find solace in the afterlife. He openly admits to not know what’s beyond the sky. This is not so much a commentary on not being Christian but rather Cooke being completely honest telling us what he actually believes and not what he wants to believe.
The background features a full orchestra, which not only provide a palette for Cooke’s emotions but also supports the text of the song. When Cooke sings about going to a movie the brass and the timpani have an almost marching like rhythm that comes to the foreground while transform into an angrier tone that represents the person who told him not to hang around.
Throughout the bridge, a single French horn responds to Cooke’s pleads illustrating the conversation his is having. At the end of the bridge, the strings illustrate Cooke fall to his bended knees starting on a high note and dropping to a low suddenly and dramatically. In the last verse, Sam Cooke sings about thinking that he can carry on. The instruments take over after he sings “change gonna to come” for the last time and the music rises to bright color like sunlight breaking through a cloud. These touches add an almost subliminal meaning to the music enriching the emotions that Cooke expresses.
Cooke was singing about the struggles of African Americans in American in the 1960s and for people who went through that struggle and heard this song when it first came out, I can understand how Barack Obama becoming president is that sunlight at the end of this masterpiece.
Understanding this song and relating our own life struggles brings us closer to what Sam Cooke is talking about in this song. It’s important that we try as we can to relate to each other while acknowledging that our understanding of each other’s feelings can be never be complete, but that doesn’t mean it’s not worth trying.
If you weren’t crying when Obama won the election or when he was inaugurated that’s fine, but when something means so much to so many people I think we own it not to them but to ourselves to try to share in that feeling to get a better sense of our shared humanity
On the Saturday, before the inauguration Bettye LaVette and Jon Bon Jovi performed "A Chang Is Gonna Come" in front of the Lincoln Memorial as part of the We Are One concert. At the end of the song, they changed the last line to “I know a change has come.”
Whatever your political beliefs are, a change has come to America and it is for to see if this is the change Sam Cooke was hoping for. I hope that it is, not because I want to be validated in my support of Obama, but because I want to believe that our world can be a better place, not because of one man, but because all of us.
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