The Purple Reaction is a music blog that focuses on music in our culture and explores the history, theory and artistry that make the music we love so great. This is a celebration of art, the emotional connections that we feel through music and the deep personal meaning we experience through great music. This blog features new posts every Monday, Wednesday and Friday.
Wednesday, July 1, 2009
Don’t Stop Believin’ by Journey
I never understood what was so great about "Don't Stop Believin'" until I saw the ending of the Sopranos television show.
This ending was controversial because of the abrupt cut to black at the end. I’m personally a fan of how this show ended on a question mark, but this puzzled and annoyed a lot of viewers. What was more significant to me was the director, David Chase’s use of the music in this scene. I didn't know why at the time, but I instantly fell in love with "Don't Stop Believin' after watching this scene.
Throughout the six seasons of Sopranos, one of the major themes is this idea of enjoying the good times in life, cherishing the moments. Anthony, Tony’s son, mentions this in this scene after complaining about his job, “focus on the good times. . . try to remember the times that are good.” That’s what “Don’t Stop Believin’” is really all about.
It’s easy to disregard Journey. Journey’s music ranges from sappy power ballads to derivative anthem rock. This isn’t a band that pushes envelopes or challenges our ideas of popular music. However, Journey never presumed to be anything but a band that wrote and performed popular rock music for the masses.
In reaction to the progressive and artful music of the late 1970s with bands like Led Zeppelin and Pink Floyd, bands like Journey became popular in the 1980s. I love listening to music that challenges my musical understanding but sometimes I simply want to rock out. As much as I love fine dining, sometimes I just want a cheeseburger. The thing is about "Don't Stop Belevin'" is that even though it isn't fine dining it is one of the best cheeseburger you will ever eat.
In 1981, Journey released Escape which featured “Don’t Stop Believin’” as one of the singles. Though it never reached #1 on the charts it’s popularity has continued to grow becoming the most downloaded song not released in the 21st century on the iTunes Music Store.
Usually the strongest part of a pop song is the chorus. More often then not artists will try to get to the chorus as quickly as possible using a short introduction and/or a shortened first verse. What’s unusual about “Don’t’ Stop Believin’” is that the chorus doesn’t occur until the last minute of the song and the lyrics “don’t stop believing” aren’t heard until the last minute of the song.
After the initial introduction and first verse, there is a short instrumental break followed by the second verse. Instead of a chorus, after the second verse is the pre-chorus section “strangers waiting. . .” which leads right into the third verse. After the third verse, we get the pre-chorus section again which leads into a instrumental break the chorus finally arrives.
The structure of the song mirrors the arc of the lyrics, which are a mosaic of blue collar life. There is the small town girls and the city boy in the first verse who take a midnight train “going anywhere,” not so much focusing on the destination but the need to get out of their surroundings. A singers sings in a smoky room tries to make some cash and “for a smile they can share the night, it goes on and on.” Even though the singer is in a rough gig there are moments of connection that make the night not so bad. The pre-chorus observes strangers in the night and “streetlight people,” prostitutes looking for something in the night, trying to find themselves and “living just to find emotion.”
The last verse reflects on the lives discussed earlier in the song. Everyone wants a thrill, they want to play the game and even though some win and some lose people still try. As “the movie never ends,” neither does hope.
“Don’t stop believing” is a call to keep that hope alive. The mosaic of stories in this song creates an image of yearning that we can all relate to and a feeling of hope that we sometimes forget. The structure of the song takes us through a "journey" inviting us to consider the challenges of life before calling us to face life with hope in our hearts.
The moments that I fell in love with “Don’t Stop Believin’” was the Sopranos finale, but the moment that this song truly meant something to me was at the end of my wife and I's wedding reception.
Inspired by the end of the sopranos, we chose "Don't Stop Believin'" as the last dance at my me and my wife’s wedding reception. As the song began all of the wedding guest formed a circle with my wife and I. It is that memory, surrounded by friends and family, rocking out to “Don’t Stop Believin’" that keeps me believin' and searching through the shadows of the night.
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Hi Kingsley,
ReplyDeleteI'm not sure if you have seen the story behind Journey's new singer. His name is Arnel Pineda. Neal Schon, Journey's guitar player wanted to tour, but Steve Perry didn't want to, so he went to YouTube to look for a replacement singer. He found a kid from the gettos of Manila singing 80's songs, including Journey, in a bar half way around the world. We saw them last year, and we are going to see them again this year. Close your eyes and listen, his voice is so close to Steve Perry, it is hard to believe. http://www.youtube.com/watch?v=VccPl_uLpWA&feature=fvw
Jim
One of my friends actually saw Journey in concert with the new singer. She thought he was awesome with a great stage presence. He's quite good. I think he has a little bit more full voice then Perry. It's a pretty amazing story.
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